Archive for July, 2010

Lunch with Tim

Wednesday, July 28th, 2010

I had a good day in town catching up with my friend Tim. He’s been in the Tasmanian mountains observing the universe for the past few weeks, and grown and appropriate beard. The other picture is a guy who was photographing girls going in/out of a clothing store with his mobile, Tim being the chivalrous man he is told one of the sales assistants what was going on. Technically speaking the guy wasn’t doing anything illegal (after all I took his picture without him knowing) but the repetitive and dubious way he was going about it was rather questionable.

I think Tim looks like Charles Manson with his beard.

Under the Bridge

Wednesday, July 21st, 2010

I wanted to shoot from the side of this bridge, but there was no footpath, a lot of traffic and a sheer drop on either side. So I climbed down one side and jumped an electric (yep, I found out the hard way) fence and took this snap. I thought of editing the house out but I don’t see why I shouldn’t present it more like the scene actually was and include it.

Jodie’s 21st

Sunday, July 18th, 2010

I took my little Panasonic GF1 with me on a night out to celebrate Jodie’s 21st last night. It performed admirably without flash. The pictures look a lot better than I feel today.

Video of Jodie’s 21st at “My Place”

Stormy Weather and Stitching

Thursday, July 8th, 2010

I’ve never had great success with stitching panoramas. I tend to cut corners not stitching using the pano head which I own.

For those who aren’t familiar with it, a panorama stitching head allows you to find the nodal point and then manipulate the camera by a fixed angle around that nodal point resulting in the perfect pictures to use for stitching your panorama.

For me, who likes to shoot in extreme lighting conditions, like sunset, this means a lot of difficulty with the stitching software when I don’t use a pano head.

The first shot is about 5 scenes, each bracketed 3 times, resulting in only a 36 megapixel image (double the resolution of a single shot from my camera) and very noisy at full resolution, but it’s a pretty scene I think I should share. The second shot is a single exposure, drastically underexposed and then pushed up in post processing and with the resulting grain suppressed wonderfully by Lightroom 3.

Cross Processing and split toning

Wednesday, July 7th, 2010

I’ve accidentally cross processed an important roll of film before and the unpredictable results can sometimes look quite cool, but most of the time it sucks.

In Lightroom 3, Adobe have introduced a much larger number of presets including cross processing and split toning, so look forward to your neighbourhood hack (like me) using it as a way to make rubbish photographs look interesting. Here are two examples and one lucky catch.

Daniel Kennedy
Landscape Photographer
Perth, Western Australia
(View Biography)